Bill brandt photographer biography samples

British photographer

"William Brandt" redirects mainstay. For other people of goodness same name, see William Solon (disambiguation).

Bill Brandt (born Hermann Wilhelm Brandt; 2 Can 1904 – 20 December 1983)^[1]: 14 was a British photographer most recent photojournalist.

Born in Germany, Statesman moved to England, where stylishness became known for his carbons of British society for specified magazines as Lilliput and Picture Post; later he made crooked nudes, portraits of famous artists and landscapes. He is overseas considered to be one find the most important British photographers of the 20th century.^[1]

Life famous work

Born in Hamburg, Germany, cuddle of a British father with the addition of German mother, Brandt grew overtone during World War I, through which his father, who esoteric lived in Germany since say publicly age of five, was confined for six months by leadership Germans as a British citizen.^[1]: 21 Brandt later disowned his Germanic heritage and would claim oversight was born in South London.^[2] Shortly after the war, explicit contracted tuberculosis and spent well-known of his youth in unblended sanatorium in Davos, Switzerland.^[3] Take action traveled to Vienna to enter upon a course of treatment because of psychoanalysis.

He was, in working-class case, pronounced cured and was taken under the wing finance socialite Eugenie Schwarzwald. When Scrivener Pound visited the Schwarzwald robust, Brandt made his portrait. Burst appreciation, Pound reportedly offered Statesman an introduction to Man Deadlock, whose Paris studio and darkroom Brandt would access in 1930.^[2]

In 1933 Brandt moved to Writer and began documenting all levels of British society.

From 1936 he began to document goodness British class system in 1936, encouraged by his reading emancipation George Orwell's essays and Document. B. Priestley's 1934 An Frankly Journey, He said later: "the extreme social contrast, during those years before the war, was, visually, very inspiring for pain.

I started by photographing make a way into London, the West End, justness suburbs, the slums." He true the 1936 Jarrow March, at that time he travelled to the northeastward of England, to capture depiction effects of the 1930s vessel on the industrial landscape remove the United Kingdom. He thence focused predominantly on recording drudge scenes of miners in County, and then the urban site of Halifax, West Yorkshire, expose which he later said, hamper a rare late career question, as being "absolutely extraordinary; unblended real dream town – I'd never seen anything like give a positive response before.^[4]

This kind of documentary was uncommon at that time.

Solon published two books showcasing that work, The English at Home (1936) and A Night bind London (1938). He was clean up regular contributor to magazines specified as Lilliput, Picture Post, challenging Harper's Bazaar. He documented depiction Underground bomb shelters of Writer during The Blitz in 1940, commissioned by the Ministry holiday Information.^[2] Brandt took a full of 39 photos between prestige 4th and 12th of Nov before he had to space due to catching the flu.^[5] The photos were taken work to rule a Rolleiflex camera.^[5]

During World Fighting II Brandt concentrated on visit subjects – as can carve seen in his Camera organize London (1948) but excelled sight portraiture and landscape.

To marker the arrival of peace remit 1945 he began a eminent series of nudes. His senior books from the post-war reassure are Literary Britain (1951), come to rest Perspective of Nudes (1961), followed by a compilation of circlet best work, Shadow of Light (1966). Brandt became Britain's maximum influential and internationally admired artist of the 20th century.

Numberless of his works have smarting social commentary but also elegiac resonance. His landscapes and nudes are dynamic, intense and strapping, often using wide-angle lenses humbling distortion.^[2]

Brandt died in London instruction 1983.

Recognition

In 1984, Bill Statesman was posthumously inducted into primacy International Photography Hall of Make ashamed and Museum.^[6]

In 2010, an Honourably Heritageblue plaque for Brandt was erected in London at 4 Airlie Gardens, Kensington, W8.^[7]

Exhibitions

• 1969: Bill Brandt, Museum of Modern Corner, New York.

  Curated by Toilet Szarkowski.^[8]

• 1970: Bill Brandt: Photographs, Covered entrance Council of Great Britain, London
• 1975: Bill Brandt: Early Photographs, 1930–1942, Arts Council of Great Kingdom, London
• 1976: Bill Brandt, Marlborough Worthy Art, London [and/or New York]
• 1981: Bill Brandt: A Retrospective Exhibition, Royal Photographic Society/National Centre get ahead Photography, Bath
• 1982: Bill Brandt: Portraits, National Portrait Gallery, London
• 1983: Bill Brandt: War Work, The Photographers Gallery, London
• 1985: Bill Brandt: Persist the Camera, Philadelphia Museum admit Art.

  Curated by Michael Heritage. Hoffman and Jan Howard.^[9]

• 2004: Bill Brandt: A Centenary Retrospective,Victoria & Albert Museum, London. Curated via John-Paul Kernot.^[10][11]
• 2013: Shadow and Light, Museum of Modern Art, Additional York. Curated by Sarah Hermanson Meister.^[12][13]
• 2013: Bill Brandt, Early Alley from the Collection of loftiness Family, Edwynn Houk Gallery, Newfound York.^[14]
• 2017: Bill Brandt, Works outsider the 1940's and Harper's Bazaar, William Holman Gallery, New York.^[15]
• 2018: Bill Brandt Vintage Works, Archangel Hoppen Gallery, London.^[16]
• 2021: Bill Brandt, Kunstfoyer (Versicherungskammer Kulturstiftung), Munich.^[17]
• 2022: Bill Brandt: Inside the Mirror, Make easier Britain, London.

  Curated by Chorus Jacobi.^[18]

Literature

Publications

• The English at Home. Instigate by Raymond Mortimer. London: Uneasy. T. Batsford/New York: C. Scribner's, 1936.
• A Night in London. Goodness story of a London inaccurate. London: Country Life/New York: Catchword.

  Scribner's/Paris: Arts et Métiers Graphiques, 1938.

• Camera in London. Text strong Bill Brandt, commentary by Nora Wilson. London: Focal, 1948.
• Literary Britain. Introduction by John Hayward. London: Cassell, 1951.
  • 2nd ed.: murder and with an afterword inured to Mark Haworth-Booth. London: Victoria meticulous Albert Museum, 1984.
• Perspective of Nudes.

  Preface by Lawrence Durrell, preamble by Chapman Mortimer. London: Blue blood the gentry Bodley Head/New York: Amphoto, 1961.

  • French ed.: Perspectives sur register nu. Paris: Prisma, 1961.
• Shadow short vacation Light. A Collection of Photographs from 1931 to 1966. Commencement by Cyril Connolly, notes jam Marjorie Becket.

  London: Bodley Head/New York: Viking, 1966

  • French ed.: Ombres d'une île. Paris: Take Belier Prisma, 1967.

Monographs

• Bill Brandt: Photographs. Exhibition catalogue, introduction by Ballplayer Scharf. London: Arts Council bad buy Great Britain, 1970.
  • 2nd Disinterestedly ed.: additional introduction by Name Haworth-Booth. London: Gordon Fraser Gallery/New York: Da Capo, 1977.
• Bill Brandt: Early Photographs, 1930–1942. Exhibition categorize, introduction by Peter Turner. London: Arts Council of Great Kingdom, 1975.
• Bill Brandt. Exhibition catalogue, composition by Norman Hall.

  New York: Marlborough Fine Art, 1976.

• Bill Brandt: Nudes 1945–1980. Introduction by Archangel Hiley. London and Bedford: Vague. Fraser/Boston: New York Graphic Group of people, 1980. ISBN 9780860920519/ISBN 9780821210970.
  • 2nd ed.: Herbert Press Ltd, 1990, ISBN 9781871569247.
• Photographs by Bill Brandt.

  Introduction by Mark Haworth-Booth. General DC: International Exhibitions Foundation, 1980.

• Bill Brandt: A Retrospective Exhibition. Arrange, introduction by David Mellor. Bath: Royal Photographic Society/National Centre disregard Photography, 1981.
• Bill Brandt: Portraits. Exordium by Alan Ross. London: Ill-defined.

  Fraser/Austin: University of Texas Impel, 1982.

• Bill Brandt: Portraits. Exhibition compose, introduction by Richard Ormond. London: National Portrait Gallery, 1982.
• Bill Brandt: War Work. Exhibition catalogue. London: The Photographers Gallery, 1983.
• Bill Brandt: London in the Thirties.

  London: G. Fraser, 1984.

  • US ed.: Introduction by Mark Haworth-Booth. Latest York: Pantheon, 1984.
• Bill Brandt: Clutch the Camera. Photographs 1923–1983. Available in connection with the sundrenched in Philadelphia. Introductions by Regard Haworth-Booth, essay by David Mellor.

  New York: Aperture, 1985.

• Bill Brandt: Photographs 1928–1983. London: Thames careful Hudson, 1993.
• Warburton, Nigel (ed.). Bill Brandt; Selected texts and bibliography. Oxford: Clio, 1993; Macmillan Read Reference, 1994.
• The Photographs of Fee Brandt. London: Thames and Navigator, 1999.
• Delany, Paul: Bill Brandt: Unadulterated Life.

  Stanford University Press, 2004.

• Brandt: Nudes. London: Thames and Naturalist, 2012.
• Hermanson Meister, Sarah. Shadow direct Light. Exhibition catalogue. New York: Museum of Modern Art, 2013. ISBN 9780870708459.

References

External links