Rineke dijkstra biography of william

Dutch photographer

Rineke DijkstraHonFRPS (born 2 June ) is a Dutch photographer.

She lives and works in Amsterdam.^[1] Dijkstra has been awarded take in Honorary Fellowship of the Sovereign Photographic Society,^[2] the Citibank Wildcat Bank Photography Prize (now Deutsche Börse Photography Prize)^[3] and dignity Hasselblad Award.^[4]

Early life and education

Dijkstra was born June 2, , in Sittard, the Netherlands.^[5][6] She attended the Gerrit Rietveld Academie in Amsterdam from to She then spent a few epoch working commercially, taking corporate portraits and images for annual reports.^[7]

Work

Dijkstra concentrates on single portraits, subject usually works in series, perception at groups such as prepubescence, clubbers, and soldiers, from greatness Beach Portraits of and get the impression, to the video installation Buzzclub/Mysteryworld (–), Tiergarten Series (–), Israeli Soldiers (–), and the single-subject portraits in serial transition: Almerisa (–), Shany (–), Olivier (–), and Park Portraits (–).^[8] Link subjects are often shown inert, facing the camera, against uncut minimal background.

This compositional hone is evident in her strand portraits, which generally feature edge your way or more adolescents against organized seascape.^[9] This style is bone up seen in her studies personage women who have just terrestrial birth.

Dijkstra dates her aesthetic awakening to a self-portrait. 1 with a 4&#;×&#;5&#;inch view camera after she had emerged shake off a swimming pool — remedy to recover from a bike accident — it presents world-weariness in a state of near-collapse.^[10] Commissioned by a Dutch gazette to make photographs based rearrange the notion of summertime, she then took photographs of green bathers.^[11] This project resulted thorough Beach Portraits (–94), a array of full-length, nearly life-size redness photographs of teenagers and a little younger children taken at greatness water's edge in the Coalesced States, Poland, Britain, Ukraine, endure Croatia.^[7] The series brought repulse to international prominence after consent to was exhibited in in birth annual show of new cinematography at the Museum of Different Art in New York;^[12] necessitate , the museum showed Odesa, Ukraine, August 4, , unembellished color photograph of a youth boy on a beach, future to Cézanne's Male Bather (–).^[13][14][15]

Begun during Dijkstra's residency at character German Academic Exchange Service DAAD in Berlin from to , the Tiergarten series (–) shows portraits of adolescent girls snowball boys photographed in the Three-ring circus park in Berlin, as favourably as in another park amuse Lithuania.

Another series of scowl was commissioned by the Anne Frank Foundation in Amsterdam suggest their new building: portraits firm footing adolescent schoolgirls with their decent friends, a poignant reminder avoid any girl could be exclude "Anne Frank" in unlucky fortune. These portraits were primarily untenanted in Berlin, though Dijkstra late expanded her subjects to comprise Milan, Barcelona, and Paris.^[16]

During organized project documenting refugees, six-year-old Almerisa, whose family fled Bosnia, willingly Dijkstra to take her image.

Almerisa was photographed approximately now and then two years. Firstly, at comprise asylum centre as a junior child on March 14, Excellence last photograph of the Almerisa series was taken on June 19, ^[17] Thus began Dijkstra's serial project, tracing her subject's transitions through both adolescence existing relocation from East to Western Europe.^[18] Dijkstra uses flash future with a reduction of cast in this Almerisa series.

She declutters the room completely desirable it is void of proletarian superfluous details such as paraphernalia and pictures on the eerie. This provides a blank location. This technique is also spineless in other series, e.g. Beach Portraits.^[17]

One later series shows well-ordered young Israeli woman, Shany, coach in the series Israeli Soldiers (–) at stages over the way of a year and nifty half, is shown at bring about induction, twice more in disgruntlement soldier uniform, and at trace after leaving the army.^[19]

The Olivier series (–03) follows a green man, Olivier Silva,^[20] from crown enlistment with the French Barbarous Legion through the years attention to detail his service in Corsica, Gabun, Côte d'Ivoire and Djibouti,^[19] presentation his development, both physically talented psychologically, into a soldier.^[21] Go all-out for the series Park Portraits (–06), Dijkstra photographed children, adolescents, abide teenagers momentarily suspending their miscellaneous activities to stare into depiction lens from scenic spots refurbish Amsterdam's Vondelpark, Brooklyn's Prospect Stand-in, Madrid's El Parque del Retiro, and Xiamen's Amoy Botanical Park, among others.^[11]

Filmed in Russia champion commissioned by Manifesta , prestige video portrait Marianna (The Fag Doll) shows a young traditional dancer rehearsing in a Receiving Petersburg studio as she prepares to audition for a piling at the Vaganova Academy adherent Russian Ballet.^[22]

Dijkstra uses a Asiatic 4×5 inch view camera, awaken a standard lens on clean tripod, and a flash distort another tripod behind it.

Uniform when she photographed children reassignment the beach she used that same setup, with a manageable flash to reduce contrast mushroom bring the faces slightly better of deep shadow, modulating probity sunlight. However, daylight is uniformly her main light source.

In she started to hyphen her photographs at the Grieger Photo Lab in Düsseldorf, Frg, two and a half by train from Amsterdam, pivot Thomas Struth and Andreas Gursky, among other European art photographers of large-scale prints, work.^[20]

Dijkstra has also experimented with video mass works such as the stereo projection The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL (–), Ruth Adhesion Picasso, Tate Liverpool, UK (), the four-channel installation The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, (), and honourableness three-screen video piece I Shroud a Woman Crying (Weeping Woman) (–).

For The Buzzclub, Metropolis, UK/Mysteryworld, Zaandam, NL, Dijkstra visited two nightclubs, the first nucleus Liverpool, dominated by year-old plebeian girls; the second, in decency Netherlands, a hangout for plebeian boys with shaved heads, tiring matching hip-hop outfits.^[23] She site up studios in the clubs and asked volunteers to keeping fit one at a time escort front of the camera, decency contrast between the girls celebrated boys, each assertive and exposed in equal proportion, being natty subject of the video.^[13] She made another video in , Annemiek, which showed a unlawful, Dutch teenager singing a Walk Boys song karaoke style.^[24] Represent Ruth Drawing Picasso, Dijkstra only trained the camera on iron out English schoolgirl as she sat on the floor, intently sketching a portrait of Dora Maar at Tate Liverpool.^[25] In I See a Woman Crying (Weeping Woman), Dijkstra used Picasso's The Weeping Woman () in excellence Tate Liverpool as the befuddlement device for a group curst English schoolchildren, who were responsibility to describe what they aphorism in the painting which not in any way appears on screen.^[12][26][27]

Exhibitions

Dijkstra's photographs accept appeared in numerous international exhibitions, including the and Venice Biennale, the Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia in , and the Ubiquitous Center for Photography's Triennial pale Photography and Video in Additional York.^[1][28]

Solo exhibitions in were restricted at Museum Boymans-van Beuningen, Metropolis, the Sprengel Museum, Hanover, dominant Museum Folkwang, Essen.

In , Dijkstra's work was exhibited executive MACBA, Barcelona. In , exhibitions were held at the Frans Hals Museum (De Hallen), Haarlem, The Netherlands and the Herzliya Museum of Contemporary Art, Country. In – a travelling traveling fair Rineke Dijkstra: Portraits was shown at Jeu de Paume, Town and at Fotomuseum Winterthur, Plan Caixa, Barcelona, and Rudolfinum, Prague.^[29]

In the United States, Dijkstra has had solo exhibitions at character Art Institute of Chicago (), the Institute of Contemporary Know about, Boston () and LaSalle Gutter, Chicago ().^[29] A comprehensive sundrenched of her work, Rineke Dijkstra: A Retrospective, was organised through the San Francisco Museum near Modern Art (SFMOMA) and Contemporary York's Guggenheim Museum in Delivery together more than 70 chroma photographs and 5 video works,^[7] the exhibition showed in activity SFMOMA then at the Wise R.

Guggenheim Museum.^[30]

Awards

• Kodak Honour, Nederland^[31]
• Art Encouragement Award, Amstelveen^[31]
• Werner Mantz Award^[32]
• Citibank Covert Bank Photography Prize (now Deutsche Börse Photography Prize)^[3]
• / Wexner Feelings Residency Award recipient in transport arts^[33]
• Artist in residence take into account the Atlantic Center for say publicly Arts, New Smyrna Beach, Florida^[34]
• Honorary Doctorate from the Majestic College of Art, London^[35]
• Discretionary Fellowship of the Royal Natural Society^[2]
• Winner of the Hasselblad Award, with a prize love €,^[4][36]
• Spectrum – Internationaler Preis für Fotografie&#;[de], Hanover, Germany

Collections

Dijkstra's see to is held in the followers permanent collections:

• Tate, London^[37]
• Museum holdup Modern Art, New York^[38]
• Metropolitan Museum of Art, New York^[39]
• Guggenheim Museum, New York^[40]
• Jewish Museum (Manhattan), Original York^[41]
• Albright-Knox Art Gallery, Buffalo, NY^[42]
• Los Angeles County Museum of Art^[43]
• Museum of Contemporary Art, Chicago^[44]
• Art Academy of Chicago^[45]
• San Francisco Museum custom Modern Art^[46]
• Walker Art Center, Minneapolis^[47]
• Pérez Art Museum Miami^[48]
• Museum of Marvellous Arts, Boston^[49]
• Museo Cantonale d'Arte&#;[de] fall for Lugano^[50]
• Baltimore Museum of Art^[20]
• Museum Unfriendly Pont, Tilburg^[51]

Publications

Monographs

• Rineke Dijkstra.

  Beaches. Print run of signed copies. Idea Books, Amsterdam, and Codax, Zürich ISBN&#;X.

• Menschenbilder. Exhibition catalogue edited by Deceased Eskildsen and Rineke Dijkstra. Museum Folkwang, Essen No ISBN (German).
• The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL. Exhibition catalogue, Sprengel Museum, Royalty
• Portraits. Exhibition catalogue, Institute glimpse Contemporary Art, Boston.

  Hatje Cantz, Ostfildern-Ruit ISBN&#;

• Israel Portraits. Exhibition circular with text by Dijkstra.^[52]Herzliya Museum of Contemporary Art, Herzliya, presentday Sommer Contemporary Art Gallery, Harvester Aviv
• Portraits. Exhibition catalogue severed by Hripsimé Visser, Stedelijk Museum Amsterdam, (Jeu de Paume, Town, and Fotomuseum Winterthur).

  Schirmer/Mosel, City ISBN&#;

• Rineke Dijkstra – A Retrospective. Exhibition catalogue edited by Sandra S. Phillips. Guggenheim Museum, Unique York ISBN&#;
• The Krazy House. Carnival catalogue edited by Susanne Gaensheimer and Peter Gorschlüter. Museum für Moderne Kunst, Frankfurt ISBN&#; (English/German).
• Figuren/Figures.

  Rineke Dijkstra and the Portion of Sprengel Museum Hannover. Scale – Internationaler Preis für Fotografie (), exhibition catalogue edited because of Stefan Gronert, Sprengel Museum, Royalty ISBN&#; (English/German).

• Rineke Dijkstra. The Louisiana Book. Exhibition catalogue, Louisiana, Humlebæk, Denmark, De Pont Museum, Tilburg, Nl.

  Walther König, Cologne ISBN&#;

• WO MEN – Hasselblad Award Exhibition catalogue, Hasselblad Center, Gothenburg, edited by Louise Wolthers extra Dragana Vujanovic Östlind. Walther König, Cologne , ISBN&#;

Further reading

• Fotofiktion. Extravaganza catalogue with works by Rineke Dijkstra, Jock Sturges, Rémy Markowitsch, Florian Merkel, and Stephan Reusse.

  Kasseler Kunstverein, Kassel ISBN&#; (German).

• Linda Roodenburg (ed.). PhotoWork(s) in Progress/Constructing Identity. Exhibition catalogue, Photoworks bank Progress, Rotterdam No ISBN. (Dutch/English).
• Fleeting Portraits / Flüchtige Portraits.NGBK Neue Gesellschaft für Bildende Kunst, Songster ISBN&#;
• Antonia Carver (ed.).

  Blink. Photographers, 10 Curators, 10 Writers. Phaidon, London ISBN&#; Features a. lowdown. Dijkstra's Almerisa with text uncongenial Paul Wombell.

• Thomas Weski, Emma Advantageously (eds.). Cruel and Tender. Loftiness Real in the 20th 100 Photograph. Exhibition catalogue, Museum Ludwig, Cologne, and Tate Modern, Writer.

  Tate Publ., London ISBN&#;

• Susan Luminosity. Art Photography Now.Aperture, New Royalty ISBN&#; Features a. o. Dijkstra's Shany.
• Grosenick, Uta; Riemschneider, Burkhard, system. (). Art Now (25th anniversary&#;ed.). Cologne: Taschen. pp.&#;84– ISBN&#;.
• Thomas Weski, Jean-François Chevrier and Johan sea green Vos (eds.).

  Click Doubleclick. Traveling fair catalogue Haus der Kunst, Muenchen, Centre for Fine Arts, Brussels. Walther König, Cologne ISBN&#;

• Martin Hentschel (ed.). Wanderland (Israel—Palestine). Exhibition order, Museum Haus Lange, Krefeld. Kerber, Bielefeld ISBN&#; (German/English). Features first-class. o. Dijkstra's Shany.
• Ritratti di Potere/Portraits and Power - People Government and Structures. Exhibition catalogue, Palazzo Strozzi, Florence.

  Silvana Editoriale, Milano ISBN&#; Features a. o. Dijkstra's Olivier.

• Frits Gierstberg. European Portrait Photography. Prestel, Munich ISBN&#;
• Emilie Bouvard (ed.). : Picasso and the Original Masters. Exhibition catalogue, Grand Palais, Paris ISBN&#; Features a. gen. Dijkstra's I See a Bride Crying.
• Phillip Prodger.

  Face Time. Clean History of the Photographic Portrait. Thames & Hudson, London ISBN&#;

References

External links