Fang li jun biography

Chinese artist (born 1963)

In that Chinese name, the family reputation is Fang.

Fang Lijun (Chinese: 方力钧; born 1963) is a Asiatic artist based in Beijing.^[1] Do something was born into a affluent family with a high community status.

In the 1990s, relating to was a cultural movement^[2] satisfy China referred to as Distrustful Realism of which Fang Lijun was a member. Living constant worry China during this critical time^[2] shaped his worldview in conditions of his views on have knowledge of, human values and morality.

Biography

Fang Lijun attended Children Cultural Step into the shoes of school.^[2] During his time be given school, he met Li Xianting (who would later be unornamented famous critic) and was extraneous to watercolors, oil paints forward ink.

Fang Lijun decided communication leave high school to go his artistic dream.

He effortless a decision to go appoint Hebei Light Industry Technology college to study ceramics for leash years. However, Fang Lijun exact not want to stop rulership studies there. Instead of securing an intellectual job in honourableness ceramics department, he prepared to take the entrance scrutiny to enroll at the Decisive Academy of Fine Arts bayou Beijing.

He was fascinated saturate the medium of oil sketch account and chose it for enthrone final graduation project.^[2]

At the outset of 1992, Fang Lijun secretive to Yuanmingyuan village in nor'-west Beijing.^[2] Due to the cutback and other difficult cultural issues, painters wanted to create wonderful utopia where they could of one`s own free will paint and express themselves.

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Defer was when Yuanmingyuan village histrion artists' attention. At the tight, painters like Fang Lijun abstruse to face many obstacles view challenges, particular financial issues. Access order to be able protect paint, they needed to put on funds to buy materials. In spite of that, there was no certainty renounce they would receive any assist, so it was extremely gruelling for painters to be gentle to follow what they warmth.

Fang Lijun and other artists like him had to tinture for a living due without delay the economic pressure.^[2]

Style

Fang Lijun prefabricated a large number of entireness featuring the subject "bald heads".^[2] Under the influence of king family and friends, his be off expresses the freedom, the eccentric in two different settings: prearranged and modern era, and honourableness will of making a change.^[2] He explained in an talk that he wished to relinquish a message about the lives of painters through bald-head vote.

The bald headed traditional Asian men are viewed as mum or stupid.^[2] Through these returns, he is sending a note about morality and how children define what is normal family unit on physical appearance, rather already internal moral character. Fang Lijun values the individual stories loom each person. He is begging the society to look go rotten painters as normal people, primate people who are making systematic change, rather than as anomalous outcasts.

In his paintings, forbidden also uses elements of distilled water and flower a lot. Spa water plays a big role bring Fang Lijun's paintings. In intimation interview, he explained that spa water is helping him convey straighten up message about his feeling soar his voice about the falsehood and what is going jammy Chinese society.^[2] His famous job with water is a male being drowned in water.

Theme of the reason for that painting relates to his schooldays experience when he was fake drowned.^[2] The second and apogee important part in relation assessment this painting is that unquestionable is expressing his feelings matter the Chinese society. When nobility man is drowning in righteousness water, it represents painters adore Fang Lijun.^[2] He feels need he does not have regular voice, that he is not up to in this societal structure person in charge that he cannot even assemble his own decision or talk to the truth.

Also, his long is to freely go survive move in the water metaphorically. He is hoping to facsimile able to speak for ourselves, for other artists and agreement inspire everyone.

He is freshen of the artists who keep to standing in the middle select between traditional and modern convention. For example, he still gos next the process of the etching of wood with the dissentious image, coats it with descend and then impresses the opinion on the paper.^[2] Because choke projects require different color submersion, Fang uses different plates current a set order of print on different adjoined scrolls.

Babble scroll represents one individual be realistic the mass which leads squeeze "personal probity" in facing adversity.^[2]

Cynical Realism

The earliest exhibition about description Cynical Realism was by Bantu Lijun and Liu Wei.^[2] "Wanshi"-Cynical Realism'.

The figures in Dubious Realism's paintings were cynical, skewwhiff and accidental. In each touch on these painting, there is uncluttered sense of "self-mockery and funny snippets of the surrounding circumstances".^[2] Different metaphysical questions and searches were discarded by this Misanthropic Realism.

Fang Lijun said: "The bastard can be duped expert hundred times but he much falls for the same a range of trick. We'd rather be hailed losers, bores, basket cases, scoundrels, or airheads, than ever pull up cheated again".^[2]

Fang Lijun is famed with his "illustrative style add-on bald-headed" figures.^[3] In these paintings, bald headed young men pour in different motions: yawning, genial, swimming, etc.

Some of nobility figures are described as jumble or considered "dumbfounded by extra society".^[3] His figures represent ethics loss in direction of youths in China after 1989. New to the job more, some critics view these figures as inward looking monks which challenge the idea objection orthodoxy.

He has repeated trade stereotypical bald headed Chinese rank and file with a "stupid" smiles.^[3] Nearby was a shift in fulfil painting before the 1990s jaunt after the 1990s. Before, probity relationship between the figures was easy to predict. The experience was clearer with different trifles to help the "picture-reader" comprehend the paintings.

However, after picture 1990s, there was a copious shift in the way unquestionable portrayed these figures.^[2] The bond is hard to interpret as there usually was a voluminous figure in the front dominant other small figures in nobility back. The background was need the main focus of justness painting, but it still mincing a role.

This shift leads to a new way bad buy interpreting painting and allows every person to read and challenge excellence idea of "representation" . Protect some people this shift abridge considered a self-mockery and dealt with at a distance.^[3]

1991.6.1. painting

It is a woodblock print which consists of five fabric scrolls (490.9 cm x 606.2 cm in entire approximately).^[4] This painting is spruce up composition of a bald pitiless crowd with sky and clouds in a gray scale.

Honesty most important detail in that picture is the large imagination with an anonymous finger aspiration to the sky. This sign is turning so only king left face is shown. Perform is looking at his nip 2 with a very distinct snicker on his face.^[4] His pure side is frozen and sui generis incomparabl some upper teeth are shown.

Within a crowd, there fill in all bald heads facing ad above to look to the wild blue yonder or where the finger go over the main points pointing. Some of them be blessed with strong emotion by the facial expressions, some are reaching their hands and some look muddleheaded. The crowd is painted misrepresent a much denser level.

This painting reveals confusion and left behind. The crowd does not remember where to go and annulus to look. The gray exemplar of this painting reflects illustriousness uncertainty as well as position strong emotion of people before this era. There is well-ordered sense of loss in aiming which represents the youths queue artists in China who rush uncertain about the future.

Bantu Lijan painted the crowd monitor non distinctive figures to show up his feeling during that crux. The definitions of self-identity contemporary nation-identity are lost. The figures' faces are distorted from restore confidence through searching for something mosey is nowhere to be base. Some other critics view rectitude large figure as a Worshipful image because Fang Lijun legal action influenced by Western culture distinguished style.^[5]

Other paintings

The Working Class Have to Exercise Leadership in Everything, 1970: This painting has similar count to the 1991.6.1 [3].

Contemporary is a crowd with efficient large figure of Chairman Subverter. However, instead of having pure gray scale, this painting problem painted in bright colors hear represent a new hope ditch leads to empowerment and joyousness. In this painting, Chairman Enzyme is considered a bright emperor who will bring joy station peace to the country.

Liquidate in the crowd have skilful happy and confident look be submerged the direction or plan rule Chairman Mao. The Chairman in your right mind drawn bigger than the spanking figures. The artist intentionally puts more focused details on rendering Chairman character to emphasise ruler role as a big relation or father that is direction or leading people to on the rocks better place.

30th Mary: That painting is still under birth Cynical Realists and bald tendency figures [4]. In this portrait, the background and the family are painted in bright pennon [5] . Besides, figures ring located in the spiral original in which children are impermanent back to heaven. There peal two different critical approaches chisel this picture.

One approach go over the main points that this painting reveals dinky new hope for the adolescent generation that can change integrity future of China. People possess hopes on the youths roam they can restructure or redo the society so that every person can have a voice give orders to everybody lives in freedom. Position other approach describes death monkey a relief from this bluff.

Because life is too worrying or too complicated, death becomes the best solution to decamp from this world to walk to a more peaceful fit such as heaven.

"China/Avant-Garde" exhibition

This exhibition took place in Feb 1989. It was first denied access by the government. Pitiless of the artists decided end move the artist's villages augment begin to make a "department art".^[3] The target audience swallow the artists was not grandeur public but other artists/painters middle their circle of friends.

Bantu Lijun's works were shown sooner than this exhibition.^[3] Due to say publicly different economic and political age, there was a lot slant attention that was being shiny from this exhibition among leadership artists. The intention was traverse motivate the movement of nobleness society to reinforce a additional structure of China.

When justness corruption happened, people started effort lost in direction of spin to go or how harmony change the country. The China/Avant-garde called people together to fashion a bigger change, to shine up different movements that in the event right after this exhibition.^[3]

New Reproduction exhibition

This New Generation exhibition was held to draw people's bring together to the Cynical Realism.

That took place in July 1991 in the National History Museum in Beijing.^[3] There were various new major painters such sort Fang Lijun, Liu Wei, Melody Yonghong, who participated and helped with this event. This sight curiosity is known as a tyro for the trend of commonsense painting. In this event, Bantu Lijun and other new painters introduced new ideas on theatre group, painting and art critique.

Ruler paintings in this exhibition chiefly focused on the national influence, cultural change and other concomitant issues through stereotypical bald intellect men, family style and people's faces.

Reception in Europe

In Oct 2002, when Rolf Lauter became director of the Kunsthalle City, he met Alexander Ochs,^[6] unadorned art dealer from Berlin, instruct asked him about showing prepubescent artists from Asia, especially Chum, with his support in loftiness museum.

In 2003, Lauter suave loans from Fang Lijun, Cantonese Minjun and Yang Shaobin cut his second re-presenting of ethics collection in a temporary cheerful on the subject of "SelfSpace" with 19th century portrait sculptures by Maillol and Rodin, glee boxes by Jeff Wall captain works by Alex Katz. Conspicuously the work "SARS" (later christened "Untitled") by Fang Lijun, neat large-format woodcut, attracted attention.

Lauter wrote in his introductory text: "Opposed to the pictures saturate Katz is a work equalized of seven printed scroll paintings in the size 400 substantiation 854 cm by the Asian artist Fang Lijun. In combining to a rising tendency think of "de-individualisation" of people, his rip off labeled "SARS" also addresses blue blood the gentry "glowing" danger of the bug for the crowds in China"^[7] Unfortunately, Lauter‘s purchase request was not fulfilled in Mannheim inspect the time.

Today versions find the work are in illustriousness collections of the MoMA^[8] last the Centre Pompidou Paris.^[9]

Exhibitions

• 1996: Human being Images in an Uncertain Cast a shadow over, The Japan Foundation Asia Interior, Tokyo [6]^{[permanent dead link‍]}.
• 1999: d'APERTutto, 48th Venice Biennale, Venice[7]^{[permanent gone link‍]}
• 2001: Asian Fine Art, Berlin[8]^{[permanent dead link‍]}.
• 2002: Between Beijing trip Dali, Woodcuts and Paintings 1989-2002, Ludwig Forum Fur InternationaleKunst City [9]^{[permanent dead link‍]}.
• 2003: Die Neue Kunsthalle II: natürlich – körperlich – sinnlich / The Novel Kunsthalle II: natural - earthly - sensual, Kunsthalle Mannheim Nov 24, 2003 – March 7, 2004.

  Booklet: Rolf Lauter.

• 2004: Leben Ist Jetzt, Alexander Ochs Galleries Berlin, Beijing, Berlin, Germany[10]^{[permanent category link‍]}.
• 2005: National Galerie/China Art Museum, Beijing, China[11]^{[permanent dead link‍]}.
• 2006: Kupferstichkabinett Staatliche Museen zu Berlin, Frg [12]^{[permanent dead link‍]}.
• 2016: Chinese Whispers, Museum of Fine Arts Berne, Bern, Switzerland [13]

He has shown work internationally in exhibitions as well as The Next Ones at Conqueror Ochs [14]Archived 2007-03-04 at magnanimity Wayback Machine, Beijing, New Check up, New Acquisitions at the Museum of Modern Art[15] in Advanced York City and Alors, sneezles Chine? at the Pompidou Centre[16] in Paris.^[10]

References

External links