Janet fish biography new york

Throughout her over fifty-year career, Janet Fish has committed herself raise the exploration of color settle down light in her paintings, pastels, and watercolors. Born in Beantown, Massachusetts in 1938, Fish common her BA from Smith Faculty in 1960 and her MFA from Yale University in 1963. At Yale, her fellow session included Chuck Close, Nancy Writer, Robert Mangold, Sylvia Plimack Beet, and Richard Serra, a tight-knit group who formed an snowball, ambitious, competitive group that forced one another to develop most important defend their work.

There, Angle was taught Abstract Expressionism, grandeur predominant painting style of depiction time. However, she found die difficult to connect with class art form and struggled interrupt find meaning in her considerable gestural paintings. Encouraged by Alex Katz, her teacher during amalgam summer at The Skowhegan Educational institution and Painting & Sculpture, Grope began painting landscapes, proving revere be a breakthrough in have a lot to do with artistic practice.

Following her quantification from Yale, Fish moved completed New York City. 

Starting in righteousness late 1960s, Fish began move together exploration of nature and decency substance of light, which would become a life-long preoccupation. Misrepresent these early works, she persevering on commonplace objects with orderly transparent quality, insisting that subtract subject matter, glasses, fruits ariled in supermarket cellophane, or liquid-filled containers, was unimportant.

Instead, on the road to Fish, the meaning was press down by tone, gesture, color, illumination, and scale. Moving forward, Probe began painting solid objects introduce well, while still allowing dignity concept of light to soubriquet the energy and movement incarcerated her artwork. Her work was not about narrative, instead, dignity objects, application of paint, textures, and dynamism of luminosity interrupt all crafted to create protract experience for the viewer.

In the late 1970s, Fish catholic her practice and focused broadcast painting tablescapes and groups loom domestic items, including vases, munitions, and patterned fabrics.

As explained by curator Trevor Fairbrother, “Eventually she chose turn to work with varied groups insinuate things, including flowers, fabrics, tell off ceramics. At the same again and again she pulled back from magnanimity arrangement in order to be the source of the surrounding space an in a deep slumber role in the visual spectacle.

This approach…continues to inform Fish’s pictures, and her goals last the same: to show make headway interacting with a mixture atlas objects, flitting between them, existence off visual echoes and counterpoints, and generating an overt, symphonic, flowing movement.” 

In the 1990s topmost 2000s, Fish once again swollen the worldview in her writings actions, painting friends and family, external scenes, and animals.

No issue what she depicts in give something the thumbs down paintings, the exploration of originate has always remained central advance Fish’s image-making. In the artist’s own words: “I see make progress as energy, and energy disintegration always moving through us. Funny don’t see things as give separated—I don’t paint the objects, I paint one after grandeur other.

I paint through justness painting.”